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　　5 MVRDV

　　MVRDV事務所由Winy Maas, Jacob van Rijs和Nathalie de Vries于1993年在荷蘭鹿特丹創立，其設計和研究旨在為全球的當代城市規劃和建筑設計提供解決方案。已建成的項目包括2000年漢諾威世博會荷蘭館和鹿特丹的市場大廳。MVRDV的作品遍布全球，并多次獲得國際獎項。MVRDV同時與荷蘭代爾夫特理工大學開展合作，開設“The Why Factory”智庫與研究機構探討未來城市規劃與建筑。

　　MVRDV was set up in Rotterdam (the Netherlands) in 1993 by Winy Maas, Jacob van Rijs and Nathalie de Vries. MVRDV engages globally in providing solutions to contemporary architectural and urban issues. Realized projects include the Dutch Pavilion for the World EXPO 2000 in Hannover and the Market Hall in Rotterdam. The work of MVRDV is exhibited and published worldwide and receives international awards. Together with Delft University of Technology MVRDV runs The Why Factory, an independent think tank and research institute providing argument for architecture and urbanism by envisioning the city of the future.

Winy Maas

Jacob van Rijs

MVRDV Nathalie de Vries

　　胡同4.0版

　　北京鮮魚口胡同升級再生

　　胡同組成了具有緊密社會聯系的社區，并容納著具有強烈差異的個性。自人類的第二個千禧年開始，在人口和經濟壓力的驅動下，胡同正在發生迅速的變化。

　　坐落在北京中心地帶的鮮魚口胡同也站在了這樣的一個交叉口。未來它將變成什么樣子?是又一片高樓林立的商務區嗎?還是重返曾經的胡同生活?在商業化和博物館化之外，有沒有其他的再生途徑呢?

　　通過增加密度和通達度，我們試圖放大鮮魚口這一傳統胡同群落的價值：非正式、多樣化、新奇......舊屋、古墻和現存的重要元素都將得到保留，并作為開發和重新解讀這一區域的基礎。每座四合院都將由不同的建筑師進行設計更新，由此形成一系列的四合院再生作品。從高端宅院到經濟適用房，從老年人到年輕人，這種集體參與設計的方式將從更多元的角度解讀和使用北京四合院。

　　在天安時間當代藝術中心的庭院內，數個以1:15比例呈現的胡同模型將懸浮在2.1米的半空中，營造由上至下的感官體驗，講述未來胡同和四合院里的美好新生活。

　　The Hutong 4.0

　　The Vision for the Xianyukou Hutong in Beijing

　　Hutongs form intense, socially connected communities where strong individual identities and differences are maintained. Driven by demographic and economic forces since the start of the second millennium, they are rapidly changing.

　　Centrally located in Beijing, The Xianyukou Hutong is waiting for a new development. What should it become? Another tower area? Or Something that loves the former hutong life? Beyond commercialization and museumization, what is next step?

　　Adding density and accessibility, project tries to magnify values of the classic hutong: informal, diverse, surprising… As a base for developments and interpretation, Old houses, walls and all existing element would be kept. Each courtyard would be developed in different ways by different architects. Together they demonstrate a series of the work. This collective approach could ensure diversity of courtyards in terms of interpretation and usage, from luxury house d to affordable houses, from elderly house to yongsters house.

　　In courtyard of Beijing Center for the Arts, 1:15-scaled hutong miniatures visualize new life of hutong. Floating in 2.1m height, they provide experience of hutong from above and below. Illuminated by themselves, they demonstrate new atmospheric experience of Siheyuan.