主案設計：崔樹

　　設計公司：寸-DESIGN(www.cunchina.cn)

　　功能：文化傳播創意辦公空間

　　設計時間：2015年

　　竣工時間：2016年2月

　　面積：500㎡

　　地址：北京市通州區榆景苑第8幢別墅

　　攝影師：王廳，王瑾

　　在中國城市化進程加速的背景下，許多標新立異的嶄新建筑平地拔起，與之反差強烈的是，更多的老舊建筑卻在無用的尷尬中寸步難行，直至生命衰竭。在目睹了粗放式的大拆大建后，我們是時候放慢腳步停下來，不再一味地追求“新”的建筑，而是用理性、環保以及長遠發展的設計思維，去探求建筑的“新生”。

　　這個別墅區位于北京東面溫榆河畔，說它是別墅其實都有些牽強，整個院子建于90年代末，是老舊和破落的老建筑，這里的老不單單是指建筑形式上，還包括建筑的構成，本身的結構，內部的使用功能。過去的建筑設計太偏重于形式化，一個住宅的房子一定設計了符合那個年代特色的功能布局，這些都是符合年代性卻不具有時代性的設計。符合當時的生活方式卻不帶有時代發現的特點。因此當我們看到這個房子的時候第一個感覺是和當下的人，以及人的生活格格不入。所以我們在改造過程中保留著原始的建筑特征，在一條切割時間的線下構成新舊元素的對比反差，貫穿于整個建筑內，讓他們之間形成不同年代的對話。在強調室內空間與開放庭院之間的關系的同時，充分利用切割細碎的單面聯結，以求得空間利用的最大化，又完整保留了這棟老建筑物最初的架構。結合開放式庭院，利用植物、光影等，盡可能地做到內外合一，回到空間的本質，創造出一個較為親切、容易被接受、不高調的空間。

　　當時我們面臨的最大的問題就是里面太陳舊了，當把墻面內保溫拆除后，裸露出來的都是當時年代所建的紅磚結構，而且每一個格局都很小。后來我們想到把它里面的房間串聯起來，拆掉一切可以拆除的墻體，空間之間沒有門的阻隔。將原有的窗下臺全部拆除，改成出入口，這樣所有的工作人員都從外廊通過進入室內。我們深信著一個“空”的空間并非空洞及欠缺性格;反過來，它可以讓我們原原本本且更清晰地去細釋這一個空間，防止受到不需要的設計元素的污染，懂得省略非必要的。在一條切開時間的線下，以左是保留了90年代的原始建筑，右邊則全是重新設計的，讓時代感之間擁有對話。鏡面將柱子隱藏其中，反射的影像讓整個空間的維度拉長。在距頂面我們都保留著4公分的缺口，將頂部的照明都隱藏其中。這樣整個建筑里，頂面是不會有任何一根電線的，還原最純真的原始質感。因為他們是一個影視公司，所以他們的導演都喜歡躲在一個小角落里，去創作一些自己的想法，所以我們做了些陽光板的小區域，在這個區域中別人不會看到你在做什么，但是有朦朧的光影影影綽綽映射進來，形成獨立的思考的空間可以去創作無限的想象。衛生區域保留原有的粗礦表面，將洗手臺墻體往里推了一個尺度，鏡子內嵌其中，形成對稱并有在窗洞里洗手的感覺。窗洞之外我們做了個框架將它包裹其中，一面是它的洗手臺的同時也面對著他們以往做過的項目。在老建筑中有塊橘紅色的區域，當保留的原始建筑面積足夠大時，會體現太多的破敗感，所以我們將代表他們品牌的logo色加了進去。強烈的顏色沖擊，折射的卻是一個影視團隊的蓬勃激情。將原有的樓梯區域拆除，改到建筑之外，原來的位置做了玻璃盒子的通廊，休息區與主臥室之間連接在一起，新舊之間的對比自然形成氣質美。

　　讓工作室成為人和空間密切相關的地方，創造生態的環境中，有傳統的歷史，有現代化的生活。如果說設計本來就是服務于需求的存在，那么它會自然形成氣質美，并在未來一直美好的存在下去。換句話講，其實好的空間設計師，是一個空間氣質營造者，最優秀的作品應該是把自己的感受用方法傳遞給每一個來到空間的人，當空間和人產生美好的協同關系，設計自然也就是好的。技法永遠服務于設計。設計不應該是去關注技法和表面。

　　Office design for Blue Moon Films: A Line between Time

　　Chief Designer: Cui Shu

　　Design Company: Cun-Design (www.cunchina.cn)

　　Location: The 8th mansion, Yujin Garden, Tongzhou District, Beijing, China

　　Function: Office

　　Designing period: 2015

　　Finishing time: 2015

　　Area: 500 ㎡

　　Photographer: Wang Ting, Wang Jin

　　Many new landmark buildings have been constructed with the urbanization of China. However, old buildings are rather overlooked in modern era. It is time to slow down, and reevaluate what contributes to the rebirth of buildings.

　　This mansion located on the bank of Wen-Yu River of east Beijing. It is flattering to call it a mansion. The whole building was constructed at the end of 1990s, and had been left much broken now. The building is old not only in its design but also the construction, structure and internal functions. Architectural design in old times obeys to a set form; function layout of a residential building must be in accordance with characteristics of that era, yet such characteristics are not up-to-date. They fit for the way of life of those days but not for current times. Our first impression on this house is that it is out of tune with today’s people and their way of living. We maintained its original structure during the renovation, and formed a contrasting boundary between old and new within the project. While highlighting relationship between indoor space and outdoor courtyards, the designer takes full use of the finely cut single sided connection to maximize the use of space, in this way, original structure of this old building has been fully retained. With open courtyard, plants, lighting and shadows, the design integrates indoor space with outdoor space and make the space return to its original nature. An intimate, easy-accepted and low profile space is thus created.

　　The biggest problem we encounter with is the interior space is too old. When interior heat preservation is removed, red brick structure of the era when the building’s built was exposed, and the layout looks very small. We then come up with an idea to connect all the rooms and remove all removable walls, and make sure no doors is placed between spaces. All windowsills are demolished and turned into exits, in this way the indoor space is accessible through side corridor for all stuffs. We believe that an “empty” space is not empty and lack of character, on the contrary, it makes it possible for us to illustrate this space more truly and clearly, and to avoid getting a space with unnecessary design elements. On the left of the line between time, there are original buildings of the 90s, while on the right are re-designed buildings, a dialogue between old and new is formed. Mirrors hide the sight of pillars, and lengthen the visual dimension through reflection. We keep a 4cm wide gap on the ceiling, and hide the source of illumination inside. No wire is visible throughout the building. Since the company functions as a studio, their directors need private spaces for rumination. We make a few areas with sun blocks, in which one’s action can be hidden from plain sight, helping creators in coming up with new ideas. Bathrooms retain its original rough surface, yet we pusd the sink into the wall, and place the mirror within, in order to create a cavernous sight. We wrap the “cave” with a framework outside it, while being the washbasin, there are projects they even done.

　　An area in orange could be found among the old buildings. While original building is remained to some degree, a sense of broken and old will be shown. So we add color orange which represents the color of their logo. What strong color contrast reflects is the passion of a film team. We remove the original stairs to the outside of the building and build glass box corridor in the original place. We get rest area and main bedroom connected, so the contrast between new and old creates a kind of beauty naturally.

　　The studio should be a place where people are closely related with space, and the create ecological environment should contain traditional history and modern life. If design serves demands, it would contain a kind of beauty, and would exist forever carrying this kind of beauty. In other words, a good space designer is a builder of space quality. The best works are those in which a designer makes every visitor of the space perceived his feeling in his own way. In a good design, space and people should have a harmonious relationship. Techniques serve design and design should not be just about technique and superficial things.